A scarce item never made available to the general public. Knerr, Charles Kuhn, Fred Lasswell, Clyde Lewis, Mac Raboy, Darrell McClure, George McManus, Otto Messmer, Frank Miller, Bob Naylor, Paul Norris, Neil O'Keeffe, Alex Raymond, Misha Richter, Bob Ripley, Frank Robbins, C D Russell, Otto Soglow, Cliff Sterrett, George Swanson, Hilda Terry, Russ Westover, Chic Young, Elliott Caplan, Lee Falk, Tom Sims, Max Trell. Simms Campbell, Milton Caniff, Fanny Cory, Roy Crane, Phil Davis, Walt Disney, Edwina, Charles Flanders, Don Flowers, Hal Foster, Jim Gary, Frank Godwin, Clarence Gray, Syd Hoff, H.H. The 64 cartoonists each contribute a full-page specialty drawing published opposite their profile, including Wally Bishop, Dick Brooks, E. (Only six comic strip writers or artists are not profiled.) It opens with a 5-page profile of King Features Syndicate followed by a photograph & full page profile of 64 cartoonists, 7 continuity writers and 28 feature writers. Likely distributed to newspaper feature editors. Full refund if not satisfied.This is a rare publication by King Features Syndicate promoting their 1949 roster of comic strip creators and syndicated columnists. Daily cartoons from Eric Allie, Mike Beckom, Clay Bennett, Lisa Benson, Tim Campbell, Jeff Danziger, Pedro Molina and Jack Ohman. comics and trace the 100-year history of King Features Syndicate, the company he founded to develop and distribute comics, columns, editorial cartoons. Free Press, reprint Cobb each week as a regular feature, but as recognition of this talent grows, his drawings are showing up more and more frequently." A fascinating and thought-provoking piece of Americana and the Free American Press, captured from the era circa 1960's. Not all members of the Underground Press Syndicate, with the exception of the L. Hägar The Horrible is a comic strip about Hagar, a Viking businessman sacking and looting is his profession. In most cases, their viewpoints are markedly 'anti-establishment' since their birthright is based in a distrust of both the content and motivation of the established media a movement of disenchantment which seems to be spreading throughout the world. Its membership, at the date of this publication, consists of the following 34 periodicals, whose circulations vary from a tiny one or two thousand copies to the Los Angeles Free Press's 65,000 copies weekly. From the end pages: "The Underground Press Syndicate is a loose affiliation of newspaper publishers, its members having the privilege of reprinting articles and stories from each other as they see fit, thus circumventing 'establishment red-tape' pertaining to reprint rights, permissions, royalties, etc. Some light discoloration on several pages. Amy is well-known and well-respected in the syndication industry and, as former comics editor at United Feature Syndicate and Washington Post Writers Group, is an experienced and able choice to help lead the new project. In 1970 he began contributing to the New York Times, and by the time that. From Lurie’s World: At first Lurie was on exclusive contract to Life Magazine, but he managed to negotiate greater freedom. Pages have evenly toned and are free from creasing and marginalia except for former owner's stamp at the top right hand corner of each recto page and the inside front and back covers. Yes, famed comics editor Amy Lago is joining the new syndicate as comics editor. In 1985, he started his own syndicate, Cartoons International, which was managed by his wife, Tamar (Fletcher) Lurie, a real estate executive. Cover shows rubbing, light creasing and some wear, some discoloration and foxing. Full page illustrated cartoons throughout in black and white. Cover is white background with black and white cartoon illustration in red, blue, black and white lettering. Despite its posh name, Royal Comics Syndicate is a one-man company and needs the help of readers to increase awareness of its comics.
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