![]() ![]() The best collapsible reflectors will allow you to shape light without having to carry around complex gear that can break or run out of batteries, It’s one of the simplest, but most versatile tools you can have in your bag or around the studio.Īs the name suggests, these handy discs typically spend most of their time bouncing light onto a subject, they can do a lot more. Unfortunately, those rascally little waves/particles of illumination don’t always cooperate. If she had looked to the lower left or if the reflector had been moved so that the catchlights were centered over her irises the eyes would draw our attention more.Photographers love light. There is also something else going on here that distracts from her iris and pupils: the catchlights are reflected to the lower left of her pupils with more on the whites of her eye rather than centered on the iris. On the whole of it, though, the eyes are well enough in focus that one can see some of the red capillaries running across the surface of the whites of the eye. Look at the hair on to the right of her face and lying in front of her shoulder. In the case of the example from Flickr, the whole thing seems to be slightly front focused. The whites of the eye are also selectively processed to blow them completely out so that no red or yellow is visible. Many portraits with eyes that are incredibly sharp have been selectively sharpened in post-processing so that the cornea and pupils are sharpened much more than the surrounding lashes and other facial features. It can almost always be used once the user is familiar with it. On a surface at an angle to the line of view such that there is a physically continuous line on which focus may occur but a specific point is desired.Ī combination of two or more of the above such as links on a fine chain suspended on space such that AF tends to miss the chain and a specific link is the desired focus point.įocus peaking's main issue (for me) is that it appears to be contrast based and in some targets highlighting is less positive depending on image content. Where a single very small target is spatially isolated such that it is unlikely to be a preferred auto-focus target - such as a single grass stem physically separated from other objects. In the presence of multiple alternative closely grouped focus targets - such as a bird in the middle of leaves part way through a tree I find this feature immensely valuable in selected cases where very precise focusing is required. [One of white/red/yellow highlighting canm be selected and the degree of highlighting can be varied. "Focus peaking" in Sony's implementation adds a colour overlay to areas which are in-focus. ![]() I'm adding it as it is relevant to the general situation that you describe and may be useful to others, even though not necessarily applicable to your current hardware. Use AF as above then toggle manual/AF toggle (button press by right thumb when focusing) which turns on focus peaking mode and tweak focus if/as desired manually.Īdded: The following is re focus peaking on Sony cameras "which you have not got" (although they did make your sensor). Use AF then check the result with the Af/MF toggle button or I know not but most Sony's (and the A7RII will be included) have "focus peaking" which allows you to either Or (very cheating) micro-adjust your AF by the desired amount.ĭo cameras that have an Eye AF features such as the Sony A7r II consistently focus on the iris? Or (cheating :-) ) move in by the physical amount needed, Or focus on the inner corner of the subjects left eye. If you are prepared to post-AF manual focus you could use AF and then back focus very slightly FWIW the eyeball on that image looks less sharp than the eyelashes are to me. ![]()
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